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University of Saskatchewan School of Environment and Sustainability


A Play of Remembrance
Arts & Culture

A Play of Remembrance

The Ontarion on November 19, 2009 with 0 Comments

Last week, the George Luscombe Theatre was reimagined as the small prairie town of Unity, Saskatchewan for a run of Kevin Kerr’s Governor-General’s Award winning 2002 play, Unity (1918). The play seeks to chronicle the arrival and spread of the Spanish Flu in Canada from the vantage point of a group of townspeople, as they discuss the end of the war and prepare for and deal with the deadly virus.

The play was put on by students in two performance courses in the theatre studies program under the direction of Alan Filewod, with technical production handled by another three courses under the supervision of Pat Flood (design), Paul Ord (technical director) and Denis Huneault-Joffre (costume supervisor), counting as a full credit course for all students involved.

Despite these heavy themes, the play was surprisingly humourous, with the occasional slapstick physical humour, mostly between young lovers Sissy, played by Tanya Jarmai, and Michael, played by Ryan Reeve, to black gallows humour: farting corpses, a corpse falling out of a wheelbarrow, and a severed head in a bag, all played for a laugh.

“It’s pretty grim humour. I can see how you could push the humour farther, but I’m not sure you need to. You don’t want to do it at the expense of what the play is about,” said director Alan Filewad. “But [Kerr] really sets it up that way; it almost gets grotesque at moments.”

Like the best episode of MASH, the conflation of humour and tragedy not only made sure neither element took too much control of the production, but kept the viewer empathic as it, in a way, made the characters seem more genuine. No situation is met with uniform tragedy.

“I think the trick was to enjoy the humour of the play, and not pretend it’s not there, since it so obviously is, but never forget that this is a real issue,” continued Filewod. “But we could never pretend it wasn’t. That kind of kept the perspective for us.”

Filewod is of course referring to this year’s H1N1 pandemic, which added special resonance to an already topical play, coming mere days after Remembrance Day. The panic that the characters faced regarding Spanish Flu appropriately reflects the worry that many people have about H1N1, although on a more severe scale.

“Obviously with the H1N1 and the image of the mask and the topical-ness of it, it made it hard to resist,” said Filewod.

The final moments of the play are somewhat curious. The protagonist ends up passing from the flu after nursing many of the other characters. After being laid to rest in a coffin, the characters shed their black funeral clothes and break into song. The lyrics to the songs are included in the text of the play, but without music or stage direction.

“It’s a real puzzle to deal with. But what’s clear to us is that with that song he takes us out of the world of the characters and into the world of the performers. So it becomes a kind of epilogue, which is why we went into that contemporary moment with a contemporary sound,” said Filewod.

The actors were uniformly strong. The two strongest performances were also the two strongest characters.

Vicki Sullivan’s Beatrice, a young woman who ends up a nurse figure for many of the other characters succumbing to the encroaching flu; and Victoria Carr’s Sunna, an Icelandic expat and the town’s mortician are two examples. Both characters must deal with heavy burdens, taking care of the dying and the dead, and while they do so in stride, the actors perfectly expressed the characters’ frustration and conflict with their situations.

The two actors who played the women operating the town’s telephone and telegraph station were also noteworthy. While their roles didn’t have the same dramatic gravity as most of the other performances, they played an important role as the link between the town and the outside world, including both the war and the flu. This relationship provided many moments of alternating absurdity and despair.

Overall, it was a positive experience with consistent performances, and an interesting and unique story which sheds light on a situation which is often not commemorated with Remembrance Day.

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